My guide to the recordings of Bix Beiderbecke
in my early years was
Mikael Ankers.
We met in high scool in the 60's and spent endless
sessions listening to his 78's collection which seemed to increase every
day. He played the piano (among other instruments) and was also a good
arranger and managed to come to work for record collector Ray Avery
one summer in California in the 60's, where he met some of his idols from
the Bob Crosby Orchestra, i.e. Matty Matlock and
Eddie Miller. He later joined Kustbandet but also formed his own big band for which he wrote excellent arrangements
first bands
In 1968 Stockholm Stompers, was started in with
Ulf Dreber,
who played the clarinet in a way reminding of Edmond Hall. We recorded on Kenneth Records and one of the tunes -
"Blues My Naughty Sweetie Gives To Me" included a bopchorus I had composed. After this heretical attempt into
modern music I decided to concentrate on
early jazz.
With Tomas örnberg I formed
Maggie's Blue Five in 1970. A developing passion for the
recordings of Louis Armstrong and Sidney Bechet
of the 20's made us try hard to emulate on our instruments what
we heard them playing.
study
In the late 70's I studied classical trumpet
for principal and solo trumpeter in Stockholm Philharmonic Orchestra,
Claes Strömblad